The Alliance

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article « Bibliodiversity » on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures !

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities : fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale ; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities ; and a distribution of works on a broader scale by adjusting prices for each geographic zone.

The notion of fair speech expands the idea of ‘free speech’ to incorporate the concept of justice. Indeed, in a context of media concentration, dominant powers (whether political, economic, religious, ideological, etc.) are the most represented and heard (because they are powerful or loud). Fair speech fosters speech equity for other voices that are often marginalised and/or censored to be heard. Fair speech therefore promotes an equitable access to expression (for example for women, historically marginalised groups, etc.), enabling an authentic diversity of voices. This concept was created by Betty McLellan in Unspeakable (Spinifex Press, 2010, Australia) and promoted by Susan Hawthorne in Bibliodiversity : A Manifesto for Independent Publishing (Spinifex Press, 2014, Australia).

The Dakar Declaration (December 2003) is the foundational text of the Alliance and birth certificate of the association. The Guadalajara Declaration (October 2005) is the outcome of a meeting held in Mexico between independent publishers from the Latin world.
The International Declaration of independent publishers for the protection and promotion of bibliodiversity (July 2007) was drafted and signed by the 70 publishers participating to the International Assembly of independent publishers held in Paris in 2007.
These three texts, as well as the 2014 International Declaration of independent publishers, are milestones in the history of the Alliance – they are a reminder, and bear witness to the present bearing testimony to the commitment of independent publishers, and serve as their policy guidelines.

The touring “Tehran Book Fair, Uncensored”, organized in May in the same time as Tehran Book Fair in Iran, will occur for the third year, thanks to Farsi-speaking publishing houses based in Europe and North America.

Publishers, authors, and translators from and into Farsi are thus gathering in several cities in Europe and North America to circulate Farsi books (especially some censored in Iran) and books about Iran (in French, English, German…).

A special occasion to know a literature that has escaped from the censors. A free literature. Some muzzled voices that express themselves.

From May 4 to 27, 2018, the Tehran Book Fair Uncensored will occur in :

• London (UK), May 4-6, at the Library for Iranian Studies
• Markham (Ontario, Canada), May 5, at Bamdad Book Store
• Cologne (Germany), May 8-9, at Forough Book Store
• Hamburg (Germany), May 10, at Rothenbaumchaussee 34
• Paris (France), 11-12 May, at the Charles Léopold Mayer Fondation (Paris 11)
• Paris (France), May 13, at the Palais de la Femme (Paris 12)
• Bremen (Germany)
• Berlin (Germany)
• Copenhagen (Denmark)

Other places and dates planned in the end of May will be updated on the website Uncensored book. More details : +33 (0)1 72 40 84 40 / www.uncensoredbook.com.

Read here the article published by Publishing Perspectives, on May 16, 2018.

Some resources to know more on the subject :

• Publishing in Persian language, a study realised by the Alliance in 2015
• “To be an Iranian publisher in France”, testimony by Tinouche Nazmjou (Naakojaa/éditions du non-où publishing house), February 2016 (in French)

Publishers from the Alliance condemn the banning of the book El desarme, la vía vasca d’Iñaki Egaña (copublished by Txalaparta, Gara journal, and Mediabask media), during its promotion on Basque radio-television.

On Saturday 24 March, independent publishers and booksellers propose readers to celebrate Indie Book Day. The principle is simple : you just need to go in your favourite independent bookshop, to buy a book published by an independent publisher. Then, you are invited to share a picture of the book on the social networks (Facebook, Twitter, Instagram…), with the hashtag #indiebookday.

Indie Book Day aims to highlight the creativity, diversity and dynamism of independent publishing and make readers aware of the essential aim played by independent bookshops in favour of bibliodiversity.

Created in 2013 in Germany by the Hamburg-based publishing house Mairisch Verlag –member of the German association of independent publishers Kurt Wolff Stiftung, the Indie Book Day has first met a great success in Germany, and then has been celebrated also in other countries – like the UK, Italy, Portugal, and Brazil. For this special occasion, independent bookshops promote the event (posters in their bookshops, specific campaign on the social networks). To help readers to make their choice, specific spaces can be proposed in the bookshop to focus on the diversity of independent publishing.

In 2018, the Kurt Wolff Stiftung (Germany), the ODEI (Italy) and the International Alliance of independent publishers (550 publishers from more than 52 countries around the world) keep fostering the Indie Book Day.

Indie Book Day website : www.indiebookday.de/english

Indie Book Day was created in 2013, by German independent publishers ; since last year, it has been celebrated in other countries, thanks to independent publishers collectives and the Alliance.

How it works : On the third Sunday of March, readers are invited to visit an independent bookshop, buy a book published by an independent publisher, and post a picture of the book on social media with the hashtag #indiebookday. Booksellers and publishers can then organize a common campaign ahead of the event, to inform their communities (posters in the bookshops, information on social media and websites, etc.).

Find here Indie Book Day logos and more information on the official Indie Book Day website.

Bibliodiversity Day was created in 2010 by Latin American publisher members of the Alliance.

Since then, it has happened every year in numerous countries, especially in Latin America. On September 21, the first day of spring for the southern hemisphere, publishers, booksellers, book professionals and readers are invited to celebrate independent publishing and bibliodiversity.

How it works : All ideas and activities are welcome, coming from publishing houses, collectives of independent publishers, book professionals, and readers : bookcrossing, literary picnics, professional meetings, public readings, radio broadcasts, newspaper articles…

See here the literary and multilingual sound card for B-Day 2021 (and the Alliance’s 20th anniversary).

Download B Day logos and visit the blog here.

Watch all B Day videos here->https://eldiab.org/videos-oficiales/.

• Instagram : https://www.instagram.com/indpub/
• Facebook : https://www.facebook.com/bibliodiversidad/

Nouvelle édition publiée en 2017 par la marca editora (Argentine), en coédition avec EDINAR (Argentine) et le CERLALC.
Ouvrage de référence publié initialement par le CERLALC.

ISBN : 978-950-889-299-7
264 pages / 20 X 25 cm

Pour en savoir plus.

Voir également ci-dessous l’édition péruvienne du Manual de edición, éditée par La Travesía Editora, maison d’édition péruvienne, membre du collectif EIP au Pérou.

Independence, diversity and solidarity !

The Alliance’ team wishes you a very happy new year 2018.

The 2018 action program will soon be available on the Alliance website.

Album illustré jeunesse – édition bilingue français-malgache
Traduit du portugais (Brésil) vers le français par Joana Cabral, traduit en malgache par Veloniaina Rabakoly

Éditions Jeunes Malgaches, 2014, 32 pages
Édition originale : Pallas Editora (Brésil)

ISBN : 978-2 916362-42-7

Ce livre est issu de plusieurs rencontres entre les éditrices et éditeurs membres de l’Alliance internationale des éditeurs indépendants (« Groupe jeunesse » de l’Alliance), lors de salons du livre (stand collectif jeunesse) et dans le cadre d’ateliers autour de la littérature jeunesse. Ces temps de partage, de connaissance mutuelle, d’échanges, de savoir-faire favorisent des partenariats éditoriaux inédits. En soutenant et favorisant ces partenariats, les membres de l’Alliance participent à la circulation des textes et des idées d’un continent à un autre, mais aussi d’une langue à une autre. À travers ces partenariats éditoriaux solidaires, il s’agit aussi de développer des flux de traduction encore « rares », par exemple ici du portugais du Brésil vers le malgache.

Kofi était enfant dans un village du Ghana, au temps où ce pays s’appelait la Gold Coast et était une colonie anglaise. Il avait entendu dire qu’il existait des gens qui avaient des cheveux clairs et des peaux blanches, peaux qui rougissaient quand ils étaient en colère et qui, alors, pouvaient brûler celui qui les touchait. Imaginez alors son inquiétude quand il se trouva face à un jeune Anglais, venu en visite avec son père, chef d’une délégation officielle. Le petit Blanc, lui, pensait que le noir de la peau s’effaçait au toucher… Tous ces présupposés écartés, leur sourire et leur poignée de main sont des plus sincères. Cette histoire, porteuse de leçon sur l’importance de la rencontre pour dépasser les préjugés, est servie par un texte qui reflète bien le point de Kofi avec toute sa naïveté. Les illustrations aux belles couleurs chaudes modèlent formes et lumières.
Les dernières pages du livre sont consacrées à un intéressant dossier documentaire sur le Ghana.
Présentation du livre : © Nathalie Beau (Takam Tikou)

Traduit du portugais (Brésil) vers le français par Flavio Corrêa de Mello

Ruisseaux d’Afrique (Bénin), 2012 ; 37 pages
Édition originale : Pallas Editora (Brésil)

Nathalie COOREN (French-Spanish)

Nathalie Cooren has a background in law (Master of Laws with a specialisation in European and international law) and in social sciences (Master in sociology of conflicts). After working several years in the field of international relations, where translation was an integral part of her daily life, she decided to make it her full-time job.
Several years spent abroad, particularly in Latin America, also made her aware of the importance of languages and the diversity of cultures. She translates from Spanish and English into French, for documents in the legal, institutional, political, environmental, tourism, marketing, and publishing fields, as well as books (see in particular "Guide du municipalisme : pour une ville citoyenne apaisée, ouverte”).

Danielle CHARONNET (French-Spanish)

Rachel MATTEAU MATSHA (French-English)

Rachel Matteau Matsha is senior lecturer at the Durban University of Technology (South Africa). Her research interests include book history, sociology of literature, Indian Ocean studies, and postcolonial studies. Born in Québec (Canada), she holds a BA in Literary Studies from the Université du Québec à Montréal, and a MA and PhD in African Literature from the University of the Witwatersrand in Johannesburg (South Africa). She is the author of Real and Imagined Readers. Reading, publishing and censorship under apartheid (UKZN Press, forthcoming 2018). She is collaborating with the International Alliance of independent publishers since 2013.

Volunteers come from time to time to support the permanent team of the Alliance for the implementation of the action plan of the association : we thank them very much for their involvement and their commitment !

Céline ANFOSSI
Céline Anfossi is specialised in project management and consultancy. She has worked in the book sector, mainly in coaching professionals (International Alliance of independent publishers, Fill-Interregional Federation of Books and Reading). She explores these issues through different projects and audiences (women seeking employment, students) and is particularly interested in the topic of professional integration.

Djamilatou DIALLO

Born in Tahiti, of Franco-Guinean parents, Djamilatou continued her studies in Paris in Lettres et Histoire (MA dissertation on Ancient History : “Patrons of cities in Roman Africa from the third to the fifth century : an epigraphic study”).
In the long term, Jamilatou would like to specialise in the protection and enhancement of heritage by working with different cultural organisations here or elsewhere.
Following a five-month internship at the Alliance (development of the 2018 WomenList and the HotList presented at the Frankfurt Book Fair, and the study on the textbook market in French-speaking Africa), Djamilatou is now a volunteer of the Association.

The ICIP includes the coordinators of the Alliance’s language networks ; they are nominated by the members of the networks. Since 2011, the ICIP has been an essential part of governing the Alliance, representing the voice of the publishers. The ICIP meets once a year in the presence of the Board and the team of the Alliance. The agenda is based on the aspirations and objectives of the Alliance, considering above all the needs and expectations of the members.

Composition of the ICIP :

• Coordinator of the Arabic-language network : Samar Haddad, Syria (Atlas Publishing)

• Coordinators of the English-language network : Ronny Agustinus, Indonesia (Marjin Kiri) and Colleen Higgs, South Africa (Modjaji Books)

• Coordinators of the French-language network : Yasmin Issaka-Coubageat, Togo (Graines de Pensées) ; Dieulermesson Petit Frère, Haiti (LEGS ÉDITION) and Marie Michèle Razafintsalama, Madagascar (Jeunes malgaches)

• Coordinator of the Persian-language network : Azadeh Parsapour, UK/Iran (Nogaam)

• Coordinators of the Portuguese-language network : Carla Oliveira, Portugal (Orfeu Negro) and Sandra Tamele, Mozambique (Trinta Zero Nove)

• Coordinator of the Spanish-language network : Francisca Muñoz Méndez, Chile (Editoriales de Chile)

Click here to see the list of Alliance member publishers.