The Alliance

Bibliodiversity is cultural diversity applied to the world of books. Echoing biodiversity, it refers to the critical diversity of products (books, scripts, eBooks, apps, and oral literature) made available to readers. Bibliodiversity is a complex, self-sustaining system of storytelling, writing, publishing, and other kinds of production of oral and written literature. The writers and producers are comparable to the inhabitants of an ecosystem. Bibliodiversity contributes to a thriving life of culture and a healthy eco-social system. While large publishers do contribute to publishing diversity through the quantitative importance of their production, it is not enough to guarantee bibliodiversity, which is not only measured by the number of titles available.
Independent publishers, even if they consider their publishing houses’ economic balance, are above all concerned with the content of published products. Independent publishers’ books bring a different outlook and voice, as opposed to the more standardised publications offered by major groups. Independent publishers’ books and other products and their preferred diffusion channels (independent booksellers, among others) are therefore essential to preserve and strengthen plurality and the diffusion of ideas. The word bibliodiversity was invented by Chilean publishers, during the creation of the “Editores independientes de Chile” collective in the late 1990s. The International Alliance of independent publishers significantly contributed to the diffusion and promotion of this notion in several languages, including through the Dakar Declaration (2003), Guadalajara Declaration (2005), Paris Declaration (2007), Cape Town Declaration (2014) and the Pamplona-Iruñea Declaration (2021). Since 2010, International Bibliodiversity Day is celebrated on 21 September.

See the article “Bibliodiversity” on Wikipedia.
The article also exists in French, Spanish and Portuguese.

The bibliodiversity, in pictures!

Container full of books inundating the market, books produced in another cultural setting given away free to readers or public libraries, the setup of local branches by publishing groups from abroad aiming to achieve monopoly conditions… Drawing on some examples of practices with damaging consequences to the publishing market in developing countries, Étienne Galliand (founder of the International Alliance of Independent Publishers) presents an overview of the predation to which emerging markets are subjected directly or indirectly. An edifying panorama.

As a complement to this article, you can consult the Guidelines for Fair Publishing Partnerships (in French).

The label “Fair Trade Book” is attributed by the International Alliance of independent publishers to works published in the context of international publishing agreements that respect each other’s particularities: fair co- publishing. These fair copublishings enable the sharing of costs linked to intellectual and physical production of books and therefore ensure an economy of scale; an exchange of professional know-how and a common experience, while respecting the publishers’ cultural contexts and identities; and a distribution of works on a broader scale by adjusting prices for each geographic zone.

The notion of fair speech expands the idea of ‘free speech’ to incorporate the concept of justice. Indeed, in a context of media concentration, dominant powers (whether political, economic, religious, ideological, etc.) are the most represented and heard (because they are powerful or loud). Fair speech fosters speech equity for other voices that are often marginalised and/or censored to be heard. Fair speech therefore promotes an equitable access to expression (for example for women, historically marginalised groups, etc.), enabling an authentic diversity of voices. This concept was created by Betty McLellan in Unspeakable (Spinifex Press, 2010, Australia) and promoted by Susan Hawthorne in Bibliodiversity: A Manifesto for Independent Publishing (Spinifex Press, 2014, Australia).

The Dakar Declaration (December 2003) is the foundational text of the Alliance and birth certificate of the association. The Guadalajara Declaration (October 2005) is the outcome of a meeting held in Mexico between independent publishers from the Latin world.
The International Declaration of independent publishers for the protection and promotion of bibliodiversity (July 2007) was drafted and signed by the 70 publishers participating to the International Assembly of independent publishers held in Paris in 2007.
These three texts, as well as the 2014 International Declaration of independent publishers, are milestones in the history of the Alliance – they are a reminder, and bear witness to the present bearing testimony to the commitment of independent publishers, and serve as their policy guidelines.

Some 17 publishers from Tunisia, Morocco, Algeria, Syria, Egypt but also from France, Côte d’Ivoire and Argentina will meet in Tunis from 12 to 14 May 2011 to discuss e-publishing in the Arab world. Further to the meetings organised in Ouagadougou in December 2010 in partnership with the Organisation Internationale de la Francophonie, the Alliance continues to debate on the opportunities of e-publishing for independent publishers and for bibliodiversity. Through the theoretical sessions and practical workshops, publishers will have a chance tackle and explore e-publishing issues in the Arab world, particularly given the topicality and the role – sometimes crucial – of the Internet and the new media in the Arab revolutions.

The study on e-publishing in developing countries, conducted by Octavio KULESZ and coordinated by the Alliance, enabled through the support of Prince Claus, will be presented on Thursday, 12 May 2011 at 4.00 pm at the Hotel Les Ambassadeurs (Tunis). This is an event not to be missed!

Rooted in African daily life, in the streets of Bamako and Conakry, in the fishing port of Cotonou, on Tunisian soil, or redolent of Afro-Brazilian heritage, the 281 tales, documentaries, albums and novels that make up the catalogue are just waiting to be discovered. Books by nine independent publishing houses from Africa (South Africa, Benin, Madagascar, Mali, Morocco, the Republic of Guinea, Rwanda, Tunisia) and from Brazil are now available in France, Belgium and Switzerland ! If you would like to diversify your stock, read in Bambara, in Arabic, in English, in Portuguese, in Kinyarwanda, in Malagasy, in French, if you are simply looking for some escapism … the solution is here … just turn the pages !

The Alliance distributes all the books contained in the catalogue in France, Belgium and Switzerland. To order, go to page 83 of the catalogue.

The “Lectures d’Afrique(s)” catalogue was developped with the support of the Ile-de-France Region.

Rooted in African daily life, in the streets of Bamako and Conakry, in the fishing port of Cotonou, on Tunisian soil, or redolent of Afro-Brazilian heritage, the 281 tales, documentaries, albums and novels that make up the catalogue are just waiting to be discovered. Books by nine independent publishing houses from Africa (South Africa, Benin, Madagascar, Mali, Morocco, the Republic of Guinea, Rwanda, Tunisia) and from Brazil are now available in France, Belgium and Switzerland!
If you would like to diversify your stock, read in Bambara, in Arabic, in English, in Portuguese, in Kinyarwanda, in Malagasy, in French, if you are simply looking for some escapism… the solution is here… just turn the pages !

The Alliance distributes all the books contained in the catalogue.

Download the catalogue here.

The “African readings” catalogue was created with the support of the Ile-de-France Region.

Ten independent publishers from ten countries will be present during the African Book Fair in Geneva from 29 April to 3 May 2011. They will participate in roundtables and workshops about digital publishing, children’s book publishing in Africa, publishing in national and local languages, etc.

This event has been initiated by the Alliance, in partnership with the Organisation internationale de la Francophonie (Institut de la Francophonie Numérique) and the SDC - Swiss Agency for Development and Cooperation.

In line with decisions taken at the 2007 International Assembly on Independent Publishers in Paris, the language network Coordinators and the Board of the Alliance have been meeting on an annual basis since 2009 (please see our November 2009 Communiqué).

On 11 October 2010, the Coordinators and the Board of the Alliance met in Paris and decided jointly to create “The International Committee of Independent Publishers” (ICIP) [...].
Because the publisher members – Allies – are the primary players in the Alliance, the members of the ICIP and the Board of the Alliance are submitting the creation of the International Committee of Independent Publishers (ICIP) to your approval.

This collection, which takes its title from an iconic verse by Fernando Pessoa, is a veritable invitation to a journey through sixteen tales by
authors from Brazil, Guinea-Bissau and Angola.

Year of publication: 2010; 224 pages; 14 X 21 cm; ISBN: 978-85-347-0294-2

Extract from the Tunisian Publishers’ Union’s communiqué, published on 21 January 2011

“The Tunisian Publishers’ Union, whose members met on Friday, 21 January, congratulates the Tunisian people, is proud of its glorious revolution and pays tribute to its martyrs, while declaring its unwavering support for the popular resistance”.

Paris, December 2010

It is with great concern that the International Alliance of Independent Publishers has noted the recent censorship of a book in Spain, and the threats made against the independent publishing house Txalaparta, member of the Alliance’s Spanish-speaking network.

The book in question, “El manual del torturador español” (The Spanish Torturer’s Manual) – by Xabier MAKAZAGA denounces the torture carried out by the Spanish police. The book was withdrawn from a public library (in the Basauri town council), following a request by a political party and certain Madrid newspapers to remove it from all libraries where it was made available to readers. However the practices described in this book support the accusations already made in reports by Amnesy International and by the UN Recorder on Human Rights. The campaign against this book has already been publicly denounced by public librarians. Furthermore the Basque Country Human Rights Observer (Behatokia) sent a letter of protest to Frank de la Rue, Special Recorder on Human Rights and Freedom of Expression with the Office of the United Nations High Commissioner for Human Rights, whose headquarters are in Geneva.

The International Alliance of independent publishers, whose objectives include defending freedom of expression and denouncing all forms of censorship, also has a duty to respond publicly when attacks or infringements are directed – for ideological reasons – against independent publishers, whose very job it is to encourage the dissemination of ideas and to contribute to forging the identity of people and their culture.

One has only to examine Txalaparta’s publishing catalogue to appreciate the vast range of literary works and essays which constitute an undeniable contribution to bibliodiversity, while reflecting a clear editorial policy.

This is why we independent publishers are appealing to the Spanish authorities to respect the work of independent publishers and to encourage respect for fundamental rights and democracy.

We also appeal to independent publishers, booksellers, librarians and readers to follow the development of this matter closely and to express their support to Txalaparta Publishing in order to defend and respect the right to information that is true and diverse.

The Spanish-language network of the International Alliance of independent publishers

On Monday, 6 December 2010, following hours of online discussions among the 9 members of the Reading Committee of the “Terres solidaires” collection (“United Lands”), the 2010 prizewinners of the collection were announced: “Trop de soleil tue l’amour”, by Mongo BETI and “Mandela et moi”, by Lewis NKOSI!
These two new joint co-publications will be launched in Africa in February 2011.

The Alliance expresses its warmest thanks to the members of the Reading Committee (see the list below) for their involvement and their enthusiastic discussions!

• Agnès ADJAHO (former manager of the Notre Dame bookshop, Bénin);

• Élisabeth DALDOUL (Elyzad Publishing, Tunisia);

• Boubacar Boris DIOP (writer, Senegal - Tunisia);

• Emmanuel DONGALA (writer, Congo- United States);

• Mariame GBA (librarian, Côte d’Ivoire);

• Sofiane HADJADJ (Barzakh Publishing, Algeria);

• Jean-Claude NABA (Sankoka & Gurli Publishing, Burkina Faso);

• François NKEME (Ifrikiya Publishing, Cameroon);

• The book club of Oujda High School (Morocco).

The “Dictionnaire de la narratologie” (“Dictionary of Narratology”) is a reference work whose objective is to facilitate the dissemination and transmission of ideas by standardising concepts among Arabic-speaking readers. It enables the refinement of the definitions offered in various essays by Arab critics, whose conceptual framework is drawn directly from the works of theoreticians of Western narratology. The Dictionary is presented in the form of a glossary of terms in use in the analysis of the narration. It also contains terms relevant to the study of narrative and enunciative narratology, terms and notions borrowed from pragmatics and discourse analysis.

Arab terms have their French and English equivalents to fulfil the needs of a readership both French-speaking (Maghreb) and English-speaking (Middle East).

The Dictionary of Narratology is intended for students and researchers, literary critics and authors.

Year of publication: September 2010, 600 pages, 16,5 X 23,5 cm, 540 concepts presented in French, English and Arabic,
ISBN: 978-9973-33-294-3

Nathalie COOREN (French-Spanish)

Nathalie Cooren has a background in law (Master of Laws with a specialisation in European and international law) and in social sciences (Master in sociology of conflicts). After working several years in the field of international relations, where translation was an integral part of her daily life, she decided to make it her full-time job.
Several years spent abroad, particularly in Latin America, also made her aware of the importance of languages and the diversity of cultures. She translates from Spanish and English into French, for documents in the legal, institutional, political, environmental, tourism, marketing, and publishing fields, as well as books (see in particular "Guide du municipalisme : pour une ville citoyenne apaisée, ouverte”).

Danielle CHARONNET (French-Spanish)

Rachel MATTEAU MATSHA (French-English)

Rachel Matteau Matsha is senior lecturer at the Durban University of Technology (South Africa). Her research interests include book history, sociology of literature, Indian Ocean studies, and postcolonial studies. Born in Québec (Canada), she holds a BA in Literary Studies from the Université du Québec à Montréal, and a MA and PhD in African Literature from the University of the Witwatersrand in Johannesburg (South Africa). She is the author of Real and Imagined Readers. Reading, publishing and censorship under apartheid (UKZN Press, forthcoming 2018). She is collaborating with the International Alliance of independent publishers since 2013.

Volunteers come from time to time to support the permanent team of the Alliance for the implementation of the action plan of the association: we thank them very much for their involvement and their commitment!

Céline ANFOSSI
Céline Anfossi is specialised in project management and consultancy. She has worked in the book sector, mainly in coaching professionals (International Alliance of independent publishers, Fill-Interregional Federation of Books and Reading). She explores these issues through different projects and audiences (women seeking employment, students) and is particularly interested in the topic of professional integration.

Djamilatou DIALLO

Born in Tahiti, of Franco-Guinean parents, Djamilatou continued her studies in Paris in Lettres et Histoire (MA dissertation on Ancient History: “Patrons of cities in Roman Africa from the third to the fifth century: an epigraphic study”).
In the long term, Jamilatou would like to specialise in the protection and enhancement of heritage by working with different cultural organisations here or elsewhere.
Following a five-month internship at the Alliance (development of the 2018 WomenList and the HotList presented at the Frankfurt Book Fair, and the study on the textbook market in French-speaking Africa), Djamilatou is now a volunteer of the Association.

The ICIP includes the coordinators of the Alliance’s language networks; they are nominated by the members of the networks. Since 2011, the ICIP has been an essential part of governing the Alliance, representing the voice of the publishers. The ICIP meets once a year in the presence of the Board and the team of the Alliance. The agenda is based on the aspirations and objectives of the Alliance, considering above all the needs and expectations of the members.

Composition of the ICIP:

• Coordinator of the Arabic-language network: Samar Haddad, Syria (Atlas Publishing)

• Coordinators of the English-language network: Ronny Agustinus, Indonesia (Marjin Kiri) and Colleen Higgs, South Africa (Modjaji Books)

• Coordinators of the French-language network: Yasmin Issaka-Coubageat, Togo (Graines de Pensées); Dieulermesson Petit Frère, Haiti (LEGS ÉDITION) and Marie Michèle Razafintsalama, Madagascar (Jeunes malgaches)

• Coordinator of the Persian-language network: Azadeh Parsapour, UK/Iran (Nogaam)

• Coordinators of the Portuguese-language network: Carla Oliveira, Portugal (Orfeu Negro) and Sandra Tamele, Mozambique (Trinta Zero Nove)

• Coordinator of the Spanish-language network: Francisca Muñoz Méndez, Chile (Editoriales de Chile)

Click here to see the list of Alliance member publishers.