English

• International Day of Bibliodiversity (B Day), 21 September 2019!

• The 2^nd meeting of the International Conference of Independent Publishers 2019-2021 in Chile, bringing together Spanish-language (Spain and Latin America) in Santiago de Chile, on 1 and 2 October 2019. This meeting will be followed by the Primavera del libro (Spring of the book) from October 3 to 6, offering an opportunity to showcase the mapping and analysis of public book policies in Latin America.

• Meeting of the International Committee of Independent Publishers, 12-14 October 2019, in Paris: one of the objectives of the ICIP will be to map out the next International Conference of Independent Publishers and to deliberate on the choice of city where the closing meeting will take place in 2021. The steps to come in 2020 and 2021 are under way... and will be announced in the second half of 2019.

• Frankfurt Book Fair, 16-20 October 2019: among other activities, the 3^rd edition of the Latin American Hotlist; the “Nonfiction Editor’s Networking Event” (19 October), on the theme: “Publishing Serious Nonfiction: It’s a Woman’s World” with the participation of Muge Sokmen (Metis Publishers in Turkey) and Kenza Sefrioui (En toutes lettres in Morocco).

• Publication of the next issue of Bibliodiversity on “Minority languages”. The Alliance will also participate in the festival D’un Pays l’Autre, focusing on languages ​​and translation, organized by Contre allée publishing.

• Publication of the next title of the “Terres solidaires” collection: Munyal, les larmes de la patience, by Djaïli Amadou Amal, originally published by Proximité in Cameroon; reissued by 8 publishers in French-speaking Africa. Djaïli Amadou Amal received for this title the Orange du livre en Afrique award!

• Publishing projects (co-publishing of collections, books in African languages, comics) on children’s books/youth literature, including some arising from Hervé Gigot prize for illustrated children’s books in Africa and/or initiated during the “illustration and graphic design for children’s books/ youth literature” in Abidjan in May 2019...

Hamed Abdel-Samad and Mouhanad Khorchide discuss controversially central issues of the religion of Islam. They address burning issues such as sharia, violence, jihad, freedom of expression, human rights, the role of women and religion in democracy. Can Islam still be saved? is a polemic that allows two different perspectives on the future of Islam in the western states.

Publishers from the Persian network of the Alliance have translated and co-published this book in Farsi: Forough Book (Germany), Naakojaa (France), Khavaran (France), Pooya Verlag (Germany), Pegah Publishing (Canada).

2018 - 332 pages - ISBN : 978-3-96531-007-0

The first Conference workshops were held in Abidjan (Ivory Coast) in May 2019 during the International Book Fair of Abidjan, and brought together 40 French-speaking publishers, as well as representatives of the Portuguese and Arabic-speaking networks.

Here the video!

Youth literature and typography were the main focus of these workshops. A mapping of publishing public policies in sub-Saharan Africa and Madagascar (the Alliance’s flagship project since the last Conference of 2012-2014) was also presented on this occasion. The next workshops will most probably be held in Chile in September 2019, gathering mainly Latin American and Spanish publishers - a mapping of publishing public policies in Latin America will also be presented on this occasion.

The complete program of the International Conference 2019-2021 will be available in a few months!
For any questions, contact the Alliance’ team (equipe@alliance-editeurs.org).

For its 4^th edition, the Tehran Book Fair Uncensored will move in the following countries: United Kingdom, France, Germany, Austria, Denmark, Sweden, Netherlands, Belgium, United States, Canada...

For the fourth year, Farsi publishers outside of Iran, organize the Uncensored Tehran Book Fair, all around the world. The goal is to provide an opportunity for the authors, whose works are censored in Iran, to speak out freely and present their works. Each year many authors and publishers in Europe, Canada, and the United States meet their readers and discuss the status of persian literature all around the world. This is an unique opportunity to know, support, and promote the uncensored persian literature.

More information here: https://uncensoredbook.com/

After studying at the IUT Book Trade in Aix-en-Provence, Laurence Hugues went to earn a bachelor’s degree in Literature at Trois-Rivières University in Québec, and later a Masters’ degree in Book Marketing at Paris 13-Villetaneuse University. After several professionals stays in West Africa, she joined the International Alliance of independent publishers’ team in 2007. In July 2009, Etienne GALLIAND passed on management responsabilities to Laurence HUGUES.

Two days of discussions, reflections and workshops to which will participate, amongst others, LOM Ediciones (Chile), En toutes lettres (Morocco), Metis Publishers (Turkey), Critique and Humanism (Bulgaria), Masarykova Univerzita (Czech Republic), éditions d’en bas (Switzerland), Sophie Noël (University Paris 13)… these sessions are organised by La Oveja Roja (member of the Alliance), in partnership with Contrabandos bookshop. Topics include book ecosystem, other forms of production, community of readers…
Consult the programme here!

The meeting will be followed by the second edition of the Political and Critical Books Fair.

On Saturday 30 March, 2019, it is the Indie Book Day!

Independent publishers and booksellers propose readers to celebrate Indie Book Day. The principle is simple: you just need to go in your favourite independent bookshop, to buy a book published by an independent publisher. Then, you are invited to share a picture of the book on the social networks (Facebook, Twitter, Instagram…), with the hashtag #indiebookday.

Indie Book Day aims to highlight the creativity, diversity and dynamism of independent publishing and make readers aware of the essential aim played by independent bookshops in favour of bibliodiversity.

Indie Book Day website: www.indiebookday.de/english

To read here, the 2019 programme and an overview of the activities carried out in 2018.

En un mundo globalizado, las megacorporaciones editoriales solo se preocupan por los números, por lo semejante, por seguir fórmulas ya probadas en sus últimos éxitos de ventas. Se espera que cada libro pague su propia producción junto con las externalidades del proceso de publicación, tales como la infraestructura y el sueldo de los ceo. Bajo esa óptica, los libros que se demoran más en “despegar”, pero que poseen una larga vida y son capaces de cambiar las normas sociales, tienen menos probabilidades de publicarse.

Los editores independientes apuestan por una forma diferente de hacer las cosas. Buscan un compromiso distinto con la sociedad y se preocupan por reflejar el lugar y el espíritu de sus comunidades. “Bibliodiversidad” es un término creado por editores independientes en los años noventa para darle un nombre a esta forma diferente de pensar la edición. En este manifiesto, Susan Hawthorne nos ofrece una crítica mordaz a la industria editorial global, que contrapone a una propuesta visionaria para la publicación “orgánica”. En un contexto de predominio de las grandes corporaciones, Bibliodiversidad marca las diferencias entre los conceptos de libertad de expresión y de “discurso justo” y pone en perspectiva las promesas y los desafíos de la transición al mundo digital.

ISBN: 978-950-889-322-2 - 15 x 21 cm - 120 páginas

Bibliodiversidad, en francés
Bibliodiversidad, en árabe
Bibliodiversidad, en aléman

Coordinated by Nathalie Carré (Institut National des Langues et Civilisations Orientales, Inalco) and Raphaël Thierry (independent researcher)
Publication: 2020

Contact the Alliance team to get a free digital version of this issue.

Bibliodiversité review is co-published by Double ponctuation and the International Alliance of Independent Publishers.

See all the other issues of the review here (“Public book policies”, “Self-publishing”, “Publishing and commitment”, “Translation and Globalization”...)

Presentation
More than half of the languages spoken in the world are in danger of disappearing; if nothing is done, UNESCO estimates that 90% of languages will have disappeared in the course of this century. Languages are an essential part of a people’s culture, yet they are much more than just a tool for communication; they offer a unique view of the world and of the people who live in it. What can the publishing sector do – and is already doing – to help preserve and sustain these minority languages? This book attempts to answer this question through academic articles and testimonies of book professionals who, together, propose a novel approach to the subject.

In the light of their publications, the book analyses the situation of several minority languages - Haitian Creole, Corsican, Innu, Yiddish, Kikuyu, Basque, Malagasy, Náhuatl, etc. and shows that solutions are possible when the actors in the book system are mobilised.

Summary:

• Publishing in minority languages – On diversity of publishing languages in a
  globalized context / by Nathalie Carré (Inalco, France) and Raphaël Thierry
  (independent researcher, France)

• Creole publishing in Haiti – Obstacles, initiatives and development prospects /
  by Sandie Blaise, Duke University (United States)

• The spread of Yiddish poetry in German speaking world – The case of bilingual editions / by Caroline Puaud, Paris Sorbonne University

• Write and publish in Madagascar – How to reach the world? / by Dominique Ranaivoson, University of Lorraine (France)

• Make minority languages dialogue (online) – The example of intergenerational collaboration in East Africa / by Pierre Boizette, Paris-Nanterre University (France)

• Normativity, diversity and dynamics of creation in the contemporary Basque literary field – Study of its operating trends through the literary trajectory of Eñaut Etxamendi / by Itziar Madina Elguezabal, Bordeaux-Montaigne Doctoral school (France)

• Locate, catalog, make visible – The place of minority languages in collections of the University Library for Languages and Civilizations Studies (BULAC) / Interview with Marine Defosse, Soline Lau-Suchet and Nicolas Pitsos, librarians at BULAC (France)

• “As long as the language circulates, we will have books to produce” / interview with Bernard Biancarelli (Albiana Publishing, Corsica/France)

• “Publishing must grow the world” – Mémoire d’encrier and the languages of the world / interview with Rodney Saint-Éloi, Mémoire d’Encrier Publishing (Quebec / Canada)

• “Saving a language is a task for all of us” / by María Yolanda Argüello Mendoza, Magenta editions (Mexico)

• Public book and reading policies for indigenous languages in Chile. Intervention (updated in 2020) in the Parliament of Books and Speech / by Paulo Slachevsky, Lom Ediciones (Chile)

• Save, transmit – An example of transcription-translation from oral literature
  of some Vietnam’s peoples / by Mireille Gansel, translator, writer

• PEN’s commitment to Linguistic Rights – The importance of writing, publishing and reading in marginalized languages / interview with Peter McDonald (University of Oxford) and Carles Torner (PEN International), July 2018, Oxford and London

These recommendations and proposals are taken from the 80 recommendations & tools in support of bibliodiversity; they are built on the principles upheld in the 2014 International Declaration of independent publishers.

These recommendations are based on the experiences and practices of the International Alliance of independent publishers: they mainly focus on publishing partnerships between publishers from the South, given that support for publishing in these countries is often weak or inexistent, and between publishers of the South and North, given that these exchanges are few.

The “Terres solidaires” collection was created in 2007, to strengthen the circulation of African literature in the Francophone space. Publishing houses that contribute to the collection are based in sub-Saharan Africa and in North Africa. Initially created to republish books written by African writers published in France and make them accessible to an African readership through the solidarity co-publishing process, it is now republishing books originally appearing on African publishers’ lists. Such is the case with Munyal, les larmes de la patience, by Djaïli Amadou Amal, the 13^th title of the collection, originally published in 2017 by Proximité publishing, based in Yaoundé, Cameroun.

Publishers select texts and work in close collaboration throughout the editorial process. The principle of a selling price adapted to the buying power of the readership (on average 3 500 FCFA, or 5 Euros) remains one of its pillars.

Read more here...

The Digital Lab was created by the International Alliance of Independent Publishers to support independent publishers in their activities, reflections and digital practices. As a space of reflection, exchanges and discussions on digital bibliodiversity in both the Northern and Southern hemisphere, the Lab also offers digital tools adapted to the needs of independent publishers while respecting local ecosystems.

The Alliance Lab is built around four focus areas:

• Tools and resources for professionals
• Reflections and discussions on digital publishing, including innovative initiatives in the countries of the South (surveys and analyses);
• In situ workshops (capacity building and peer exchanges on digital matters);
• A personalised tutorial offered to member publishers of the Alliance.

The Lab is updated and facilitated by independent publishers, the team of the Alliance and also through partnerships with independent professional organisations and collectives from various continents.

Read here the pre-print version uploaded on Academia.edu 21 May 2019

Final version, to be published in two parts, in Logos: Journal of the World Publishing Community (https://brill.com/view/journals/logo/logo-overview.xml)

Part I: Volume 30 (2019): Issue 3, Part II: Volume 30 (2019): Issue 4

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

Abstract:

In terms of languages, markets and labels, African publishing represents a field of constant discourse. It also continually questions not just the way we look at books, but also our relationship with them and with the international publishing industry. The time has long passed when the leading discourse on publishing in Africa was devoted primarily to a “book famine” related to the African economic crisis of the 1980s. Over the past three decades, the African book market has done nothing but grow on the continent, diversifying its increasingly dense and transnational production through the circulation of books and of publishing information. Nonetheless, quite often African publishing is presented in terms of the difficulties faced by its stakeholders, rather than those stakeholders’ agency, their capacity to develop their markets. Indeed, history has shown that the African publishing industry is a mirror of the globalisation of publishing and of its economic flux. That being the case, the economic challenges that one can observe in the African industry is thus a reflection of the imbalances, alternatives – also margins – of a world of books that is increasingly concentrated. In this sense, African publishing invites a two-fold interrogation: in Africa it must advocate a cultural and economic legitimacy within evolving socio-political situations and an outward-looking educational market. Internationally, it must position itself in terms of non-African publishing of literature and non-fiction that makes up the majority of African intellectual production in the world. By examining the discourse around African books, African publishers’ discourse, and the evolution of African books in French since the 1980’s, this article aims to question the relationship between the book industry in Africa and the globalisation of books phenomenon in order to bring to light a network of exchanges, tensions, and influences that turns the African book market into a veritable “glocal” space.

Read the article here (in French).

Thierry, R. (2019). Les éditeurs d’Afrique francophone sur l’échiquier du « glocal »
(1980-2019). Mémoires du livre / Studies in Book Culture, 10 (2).
https://doi.org/10.7202/1060972ar

Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.

Publication: June 2019
The Bibliodiversité review is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversité review here: “Self-publishing”; “Committed publishing”…

Overview of the issue:
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question: does the intervention of public authorities support editorial diversity?

Contents of the ‘Public book policies issue’:

• “Introduction: action taken by public authorities to support books”, by Étienne Galliand, Editor-in-Chief of Bibliodiversity Journal

• “Federalism and cohesion – New book policies in Switzerland”, by Carine Corajoud, historian (Switzerland)

• “A relative autonomy – A comparative analysis of the room for manoeuvre
  in public publishing in France”, by Hélène Seiler-Juilleret, École des hautes études en sciences sociales (Higher School of Social Sciences, France)

• “Negotiating control, promoting reading – Independent publishers and the Russian State in the 2010s”, by Bella Ostromooukhova, Paris Sorbonne University (France and Russia)

• “Morocco: escheated books – The shortcomings in state involvement in the books and written word sector”, by Anouk Cohen, CNRS (France and Morocco) and Kenza Sefrioui, Ph.D. in comparative literature, literary critic and publisher (Morocco)

• “Government policy on books in Tunisia” – A publisher’s view, by Nouri Abid, Med Ali publishers (Tunisia)

• “Government policy on books in Syria” – A publisher’s view, by Samar Haddad, Atlas Publishing (Syria)

• “Government policy on books in Lebanon” – A bookseller’s view, by Michel Choueiri, bookseller (France and the United Arab Emirates)

• “Government policy on books in sub-Saharan Africa and Madagascar. A cross-sectional analysis of data collected in 12 countries”, by Luc Pinhas, University of Paris 13 Villetaneuse (France)

• “Publishing and public authorities: the Quebec case – Or the influence of public action on editorial independence?”, by Pascal Genêt, Sherbrooke University (Quebec-Canada)

• “Laws, public policies, institutions and measures to support books and reading
  in Latin America – An analysis of data gathered in 10 countries”, by Andrés E. Fernández Vergara (University of Chile)

• “From culture towards business – An analysis of a state support programme
  for local publishing in Buenos Aires: Opción Libros”, by José de Souza Muniz Jr., Federal Centre for Technological Education, Minas Gerais (Brazil)

Publishing & the Book in Africa: A Literature Review for 2018
The fourth in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa.

Read the pre-print version here.

To be published in The African Book Publishing Record, Volume 44, Issue 2, (May 2019)

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2019

African Book Industry Data & the State of African National Bibliographies:
Read the Pre-print version here.

Published in The African Book Publishing Record, Volume 44, Issue 4 (Dec 2018): 363-389.

Reprinted with permission of the author.
Copyright © Hans Zell Publishing Consultants 2018

Read here the article “Au Maghreb, il y a urgence à structurer le secteur du livre”, by Kenza Sefrioui (En toutes lettres, Marocco), published by Le Monde Afrique (8 February, 2019)