The Alliance of Independent Publishers, in partnership with the Ford Foundation (USA - www.fordfound.org) and the Charles Léopold Mayer Foundation (Swizerland - www.fph.ch), set up a copublishing project to gather the proposals that will come out of the World Social Forum context, in Porto Alegre (Brazil). To achieve this goal, the Alliance sent 11 writers to Porto Alegre, to cover the 11 themes of the 2005 WSF (see the 11 themes of the WSF on the website www.forumsocialmundial.org.br). Each writer will contribute a chapter to a book that will be copublished by the Alliance members first in French, English, and Portuguese - followed by versions in other languages.
The members of the Enjeux Planète Group will meet in Bruxelles (Belgium), 16th to 18th, Décember, 2004. The program of this meeting -organised by the Alliance of Independent Publishers and the Luc Pire Publishing House- is: checking of the past copublishing processes, planning for the 2005 and 2006 publications, signature of the collective agreement.
Participants: Bernard Stéphan (Atelier Publishing House - France), Michel Sauquet (Charles Léopold Mayer Publishing House - France), Dominique Caouette (Ecosociété Publishing House - Canada), Luc Pire (Luc Pire Publishing House - Belgium), Jean Richard (en bas Publishing House - Switzerland), Bichr Bennani (Tarik Publishing House - Moroco), Karim Ben Smail (Cérès Publishing House - Tunisia), Béatrice Lalinon Gbado (Ruisseaux d’Afrique Publishing House - Benin), Serge Dontchueng Kouam (Presses Universitaires d’Afrique - Cameroon), Marie-Agathe Amoikon-Fauquembergue (Eburnie Publishing House - Ivory Coast).
The Alliance of Independent Publishers accepted the invitation from the Office du Livre in Poitou-Charentes, which organized the Littératures métisses festival [multiethnic literatures festival]. A number of discussions with writers (including Alberto Ruy-Sanchez, Alberto Manguel, Theo Hahola) and publishers (Jean Richard from Editions d’en bas, Thierry Discépolo from Editions Agone, among others), along with readings by the actresses Marie-Christine Barrault and Sonia Emmanuel, were open to the public.
The Alliance of Independent Publishers took part in two discussions “Éditer autrement” [Alternative publishing] and “Éditer, produire, créer, diffuser avec l’Afrique” [Publish, produce, create and distribute with Africa]. These discussions and the booth gave good visibility to the association and its members’ co-publishing projects and provided information to the public about topics such as book distribution, the circulation of ideas, independent and united publishing and the equitable book.
The Alliance of Independent Publishers was well represented at the International Book and Press Show in Geneva, where the African Book, Press and Culture Show was held for the first time. At the event, Paris team members Etienne and Alexandre ran into publishers Jean-Claude Naba from Editions Sankofa & Gurli (Burkina Faso), Béatrice Lalinon Gbado from Editions Ruisseaux d’Afrique (Benin), Marie-Agathe Amoikon Fauquembergue from Editions Eburnie (Ivory Coast), Bichr Benanni from Editions Tarik (Morocco) and Jean Richard from Editions d’en bas (Switzerland), along with Behrouz Safdari (who runs the Persophone network) and Isabelle Bourgueil (who ran the Afrilivres program in 2002 and 2003). They were all doing well and working hard! The Alliance members had several opportunities to talk about the Alliance and the co-publishing process during round-table discussions. Numerous copies of Declarations, along with posters and other items to familiarize people with our association, were available in the African bookstore, which also offered a wide selection of titles from our member publishers. We offer special thanks to Jean and Isabelle, who worked long and hard to make the event a success. Mission accomplished: Long live the African Book Show in Geneva!
The workshop on independent publishing, run by Indu Chandrasekhar and held to support the formation of a network of independent Indian publishers, lived up to its billing...
During the Abidjan International Book Fair (15-19 May 2019), the Alliance will facilitate a workshop on youth literature (13 to 17 May), followed by a workshop on typography and open digital resources (18 to 20 May). These workshops will convene more than 30 publishers from more than 16 French-speaking African countries, but also from Haiti, Madagascar, France and Portugal. The programme and content of these workshops, designed with and for publishers, is available here.
On 17 May, in the context of the SILA, the Alliance will organise B2B discussions with all participating professionals: a time dedicated to buying and selling rights between publishers – to create, foster and strengthen professional relationships, rights sales and co-publications.
The Alliance will launch an unprecedented analysis of public book policies in sub-Saharan Africa and Madagascar written by academic Luc Pinhas. Findings from the data collection conducted in 12 countries between June 2017 and December 2018 by Serge Dontchueng Kouam (University Press of Africa), will be presented at a panel on public policy book on Thursday, 16 May.
Public book policies: a key chapter of the 2012-2014 International Assembly of independent publishers coming to an end in 2019!
The cross-sectional analysis of public book policies in sub-Saharan Africa and Madagascar will be printed specifically for the SILA in Abidjan. In June 2019, the Bibliodiversity Journal will publish a special issue on public book policies, including cross-sectional analysis of book policies in sub-Saharan Africa and Latin America, articles on public book policies in Europe and North America, testimonials from professionals from the Arab world... available online here from June 2019!
The activities organised at SILA are supported by AFD, the OIF and DDC, and are organized in partnership with Assedi (Association of Ivorian Publishers) and the Ivorian publishers members of the Alliance.
Video of workshops - International Conference of Independent Publishers (2019-2021)
In parallel with MICA (Argentina’s cultural industry trade show), 20 Argentinian publishers from Bolivia, Chilli, Colombia, Spain, the Canary Islands, Mexico, Peru and Uruguay will get together in Buenos Aires thanks to support from MICA, the Argentinian Book Chamber and Argentinian members of the Alliance. On the agenda : the implementation of the 80 recommendations promoting bibliodiversity in Latin America and Spain, the creation of a map of Latin America’s public policies...
The publishers will also participate in MICA events : copyright exchanges, co-publishing days, round-table discussions about the concentration of publishing and bibliodiversity...
The International Alliance of independent publishers is a professional collective that brings together more than 800 independent publishing housesin 60 countries around the world. Created as an association in 2002, it is composed of 6 language networks (English, Arabic, French, Spanish, Portuguese and Persian) and thematic groups. Members of the Alliance are publishing houses and publisher collectives.
The Alliance’s activities promote and strengthen bibliodiversity (cultural diversity applied to the world of the book).
In alignment with its mission, the Alliance created a Bibliodiversity Observatory that gathers studies, analysis and tools produced by the Alliance, aimed at professionals and public authorities. The Observatory’s objectives include assessing and strengthening bibliodiversity in the world.
The Alliance also hosts and facilitates international meetings and thematic workshops (for example on children’s book publishing, digital publishing, etc.), enabling independent publishers from various continents to exchange ideas and initiate collaborations. These meetings support increasing capacity through peer sharing, an aspect developed in particular around the issue of digital publishing in the context of the Digital Lab.
The Alliance supports international publishing projects (co-publishing, translation, copyright transfers, etc.), for greater circulation of texts and fair access to books for readers.
In 2022, the Alliance launched a first-of-its-kind initiative: the first edition of Babelica, an international online Book Fair of Independent Publishing, which takes place once a year, on 21 September (International Bibliodiversity Day).
The Alliance’s activities are based on guidelines collectively developed by publishers and are focused on 5 main actions:
1. Facilitation of an international and intercultural independent publishers network
2. Creation of a Bibliodiversity Observatory: studies, analysis, measurement tools, and a resource centre on bibliodiversity
3. Hosting and facilitation of international meetings, thematic and increasing capacity workshops (see below) to enable sharing, including through the Digital Lab of the Alliance
4. Support of international editorial partnerships (fair co-publishings, translations, copyright transfers)
5. Implementation of advocacy activities in support of freedom of publishing, independent publishing and bibliodiversity.
The “Terres solidaires” collection was created in 2007, to strengthen the circulation of African literature in the Francophone space. Publishing houses that contribute to the collection are based in sub-Saharan Africa and in North Africa. Initially created to republish books written by African writers published in France and make them accessible to an African readership through the solidarity co-publishing process, it is now republishing books originally appearing on African publishers’ lists. Such is the case with Munyal, les larmes de la patience, by Djaïli Amadou Amal, the 13th title of the collection, originally published in 2017 by Proximité publishing, based in Yaoundé, Cameroun.
Publishers select texts and work in close collaboration throughout the editorial process. The principle of a selling price adapted to the buying power of the readership (on average 3 500 FCFA, or 5 Euros) remains one of its pillars.
The Digital Lab was created by the International Alliance of Independent Publishers to support independent publishers in their activities, reflections and digital practices. As a space of reflection, exchanges and discussions on digital bibliodiversity in both the Northern and Southern hemisphere, the Lab also offers digital tools adapted to the needs of independent publishers while respecting local ecosystems.
The Alliance Lab is built around four focus areas:
Reflections and discussions on digital publishing, including innovative initiatives in the countries of the South (surveys and analyses);
In situ workshops (capacity building and peer exchanges on digital matters);
A personalised tutorial offered to member publishers of the Alliance.
The Lab is updated and facilitated by independent publishers, the team of the Alliance and also through partnerships with independent professional organisations and collectives from various continents.
In terms of languages, markets and labels, African publishing represents a field of constant discourse. It also continually questions not just the way we look at books, but also our relationship with them and with the international publishing industry. The time has long passed when the leading discourse on publishing in Africa was devoted primarily to a “book famine” related to the African economic crisis of the 1980s. Over the past three decades, the African book market has done nothing but grow on the continent, diversifying its increasingly dense and transnational production through the circulation of books and of publishing information. Nonetheless, quite often African publishing is presented in terms of the difficulties faced by its stakeholders, rather than those stakeholders’ agency, their capacity to develop their markets. Indeed, history has shown that the African publishing industry is a mirror of the globalisation of publishing and of its economic flux. That being the case, the economic challenges that one can observe in the African industry is thus a reflection of the imbalances, alternatives – also margins – of a world of books that is increasingly concentrated. In this sense, African publishing invites a two-fold interrogation: in Africa it must advocate a cultural and economic legitimacy within evolving socio-political situations and an outward-looking educational market. Internationally, it must position itself in terms of non-African publishing of literature and non-fiction that makes up the majority of African intellectual production in the world. By examining the discourse around African books, African publishers’ discourse, and the evolution of African books in French since the 1980’s, this article aims to question the relationship between the book industry in Africa and the globalisation of books phenomenon in order to bring to light a network of exchanges, tensions, and influences that turns the African book market into a veritable “glocal” space.
Thierry, R. (2019). Les éditeurs d’Afrique francophone sur l’échiquier du « glocal »
(1980-2019). Mémoires du livre / Studies in Book Culture, 10 (2). https://doi.org/10.7202/1060972ar
Contact the Alliance team to get a free digital version of this issue dedicated to public book policies.
Publication: June 2019
The Bibliodiversity Journal is copublished by Double ponctuation and the International Alliance of independent publishers.
See other issues of Bibliodiversity Journal here: “Self-publishing”; “Committed publishing”…
Overview of the issue:
From censorship to safeguarding, public initiatives in the book sector are varied.
This issue proposes academic articles, professional’ views and two previously unpublished regional analyses (sub-Saharan Africa and Spanish-speaking Latin America), taking us from Russia to Switzerland, via Syria, Lebanon, Tunisia, Morocco, Quebec, France and Argentina.
All contributions seek an answer to this question: does the intervention of public authorities support editorial diversity?
Contents of the ‘Public book policies issue’:
“Introduction: action taken by public authorities to support books”, by Étienne Galliand, Editor-in-Chief of Bibliodiversity Journal
“Federalism and cohesion – New book policies in Switzerland”, by Carine Corajoud, historian (Switzerland)
“A relative autonomy – A comparative analysis of the room for manoeuvre
in public publishing in France”, by Hélène Seiler-Juilleret, École des hautes études en sciences sociales (Higher School of Social Sciences, France)
“Negotiating control, promoting reading – Independent publishers and the Russian State in the 2010s”, by Bella Ostromooukhova, Paris Sorbonne University (France and Russia)
“Morocco: escheated books – The shortcomings in state involvement in the books and written word sector”, by Anouk Cohen, CNRS (France and Morocco) and Kenza Sefrioui, Ph.D. in comparative literature, literary critic and publisher (Morocco)
“Government policy on books in Tunisia” – A publisher’s view, by Nouri Abid, Med Ali publishers (Tunisia)
“Government policy on books in Syria” – A publisher’s view, by Samar Haddad, Atlas Publishing (Syria)
“Government policy on books in Lebanon” – A bookseller’s view, by Michel Choueiri, bookseller (France and the United Arab Emirates)
“Government policy on books in sub-Saharan Africa and Madagascar. A cross-sectional analysis of data collected in 12 countries”, by Luc Pinhas, University of Paris 13 Villetaneuse (France)
“Publishing and public authorities: the Quebec case – Or the influence of public action on editorial independence?”, by Pascal Genêt, Sherbrooke University (Quebec-Canada)
“Laws, public policies, institutions and measures to support books and reading
in Latin America – An analysis of data gathered in 10 countries”, by Andrés E. Fernández Vergara (University of Chile)
“From culture towards business – An analysis of a state support programme
for local publishing in Buenos Aires: Opción Libros”, by José de Souza Muniz Jr., Federal Centre for Technological Education, Minas Gerais (Brazil)
Publishing & the Book in Africa: A Literature Review for 2018
The fourth in a series of annual reviews of select new literature in English that has appeared on the topic of publishing and the book sector in sub-Saharan Africa.
Abstract of the issue:
Self-publishing is less and less perceived as an egocentric, narcissistic act – perhaps even spiteful. Bypassing the selective function of a third party (the publisher) in favour of a direct relationship with the potential reader - whether by choice or by necessity, when one has been rejected by those “in the know”- seems on the contrary perfectly in tune with the signs of our times, which advocates for transversal relations, fewer intermediaries and direct relationships between producers and consumers, quicker channels, wariness towards experts, elites and comitology.
If self-publishing is uninhibited, it is vibrant in its digital format, where entry requirements are now minor. However, is self-publishing a vector of bibliodiversity?
The notion of “independence” is also questioned by this development in terms of production. Indeed, the United States has often spoken of “indie” authors or ebooks, this figure of the independent author being now also assimilated and claimed in the French context. But what kind of independence are we talking about?
Contents of “Self-publishing”:
Self-publishing: a vector of bibliodiversity? / By Sylvie Bosser, University of Paris 8
Self-publishing in French literature. A historical overview of a multidimensional publishing practice / By Olivier Bessard-Banquy, University of Bordeaux-Montaigne
Self-published authors on Amazon’s Kindle Direct Publishing. Motivations, identities, practices and expectations / By Stéphanie Parmentier, University of Bordeaux-Montaigne
Self-publishing of comics. A specific route into publishing / By Kevin Le Bruchec, University of Paris 13
The (in)visible third party. Mentoring emerging writers: a process that encourages self-publishing / By Marie Caffari and Johanne Mohs, Berne University of the Arts
Self-publishing: a unique phenomenon by its nature, scope and actors. Analysis of self-publishing in Latin America and beyond / By Daniel Benchimol, for the CERLALC
Literary self-publishing in Morocco. Conditions, challenges and social significations of an growing cultural practice / By Kaoutar Harchi, Centre for Research on Social Links
Self-publishing in Iran. A story of a dilemma against a backdrop of audacity / Case study of Azadeh Parsapour, publisher
Les Éditions du Net. An interview with Henri Mojon / By Sylvie Bosser, University of Paris 8
